The Garden of Perfect Brightness—3 Destruction, Looting, and Me
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COLLECTING LOOT


The quantity of treasures stolen from the Yuanmingyuan that reached European museums and private collections was staggering. James Hevia has argued that the public seizure, flaunting, display, and later sales of the crowns, jewels, silks, furs, and other personal artifacts belonging to the emperor and his family was in the first instance a sign of the triumph of European imperialism over the Chinese empire. During the looting, some of the more conspicuous items were plundered explicitly in the name of Queen Victoria or Emperor Napoleon III. A Pekinese dog taken from the emperor’s palace was named “Looty” by the British officers, and later presented personally to Queen Victoria. [7]
“Looty, A Little Dog Found in the Summer Palace, near Pekin.”
This picture and story appeared in the Illustrated London News, June 15, 1861. The origin of the Pekinese breed in Europe is often attributed to “Looty,” who was presented to Queen Victoria by the British forces who sacked the Yuanmingyuan (widely known at the time as the “Summer Palace”).

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“Enamels, from the Emperor of China’s Palace” is the caption of an 1862 stereograph published by the London Stereoscopic and Photography Company.

[1862_MSC-28b] Terry Bennett Collection
After the sack of the Yuanmingyuan, French officers presented a large cache of treasures to Napoleon III and his empress Eugénie. Initially displayed at the Tuileries Palace, they were moved to Fontainebleau Castle near Paris in 1863. Some 400 treasures from the Yuanmingyuan—many dating from the Qianlong period (1736 to 1795) including jades, cloisonné, lacquer, textiles, and objects in gold as well as bronze—filled a suite of three rooms at Fontainebleau called the Musée Chinois (Chinese Museum), where they remain to the present day.
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“French Spoils from China Recently Exhibited at the Palace of the Tuileries”

Illustrated
London News
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April 13, 1861

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“Exposition des curiosités Chinoises offertes à l'empereur par l'armée expéditionnaire” (Exhibition of the Chinese curiosities given to the Emperor by the expeditionary army), an illustration published in Le Monde Illustré, 1861

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